Making Your Camera Pay Classic Reprint Frederick C Davis 9781332153602 Books
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Excerpt from Making Your Camera Pay
The demand of publishers for good pictures is increasing. Editors are eager to use the best photographs that may be obtained. They draw no distinction between the work of the amateur and that of the professional photographer. If a photograph meets their requirements, they buy it and care little whence it comes. The opportun ity to sell good pictures has never been better than it is to-day.
To give accurate and helpful information with regard to making the camera a profitable invest ment is the purpose of this book.
Frederick C. Davis is well-known to readers of photographic magazines, /and is a practical photographer in addition to being a successful and experienced professional writer. Mr. Davis has written this monograph in a non-technical style that will entertain the reader and encourage him to make the most of photography.
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This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Making Your Camera Pay Classic Reprint Frederick C Davis 9781332153602 Books
It's true that we're well into in the digital age of photography, but sometimes we're forced to reflect that as advanced as we find all of the photo gear on the market may be, some things never seem to change. Making Your Camera Pay, by Frederick C. Davis, is a good example of this.This book was published in 1922, and from the brief preface, author Davis was well known to readers of photo magazines of that time, according to A. H. Beardsley, the publisher of Photo-Era Magazine. He stated that "Mr. Davis has written this monograph in a non-technical style that will entertain the reader and encourage him to make the most of photography."
Within the first chapter, the author asked where the thousands of photographs used every month by newspapers and magazines came from, noting that professional photographers don't generate a third of the photos used, which would seem to be as accurate today as it was in the 1920s, if our social media sites are to be considered a parallel.
His second chapter delves into camera gear, "The Tools Of The Trade," and though some of the hardware has changed drastically with time, the concerns of the photographer remain the same. He noted that, "The requirements of the apparatus to be used for press-photography are that the lens produce a sharp and clear image, the shutter work accurately, and the whole be brought into play quickly."
The author went on to say what is still repeated today, in so many photo columns, and in so many ways, and restated by many:
"A photographer comes to know his camera as a mother knows her baby--and if he doesn't he will be no more successful than the mother who does not understand her child. The camera-worker must forget all about manufacturers' claims and should judge his tool by experience; he must ignore most of the theory and rely wholly on practice. In short, he must know his camera inside and out, what it will do and what it will not do; everything must be at his finger-tips ready for instant use. Coupled with that is the need of the ability to produce, sometimes, within an hour after making the exposure, crisp, sharp, sparkling prints."
The chapters in this small book are quite topical, and again reflect some of the concerns and challenges faced by photographers of today, some ninety years after this was published:
1. What It's All About
2. The Tools Of The Trade
3. What To Photograph
4. What Not To Photograph
5. Size, Shape And Form
6. Where To Sell
7. A Survey Of Markets
8. Shipping The Product To Market
9. The Prices Paid
10. Art Photographs
11. Competitions
12. Prints For Advertising
13. Copyrights And Other Rights
14. Illustrated Special Articles
15. The High Road
What makes this book fascinating is the amount of parallels that photographers face today. Granted that some of the magazines that accepted submissions, like Illustrated World or Collier's, to name a couple that he discusses as potential markets, no longer exist, but some that he mentions thrive today. And there may be not much of a market in contemporary media for such topics as `Potato-Gathering Made Easy', `Sketching on Fungus, One Artist's Hobby' or `Giant Vase, Lawn-Ornament, is Made of Concrete' unless they are for publication in The Onion. But topics like `How Aristocrats of Dogdom Travel' or `New Light for the Photographer' are as alive today as they were ninety years ago. And his chapter on copyrights could be used as a fairly accurate primer to photographers today.
For those who want a paperback copy of this book, it's available as Making Your Camera Pay, by Frederick C. Davis, and the publisher lists it as a 112-page reproduction of a book published before 1923. It's your choice.
I looked at this book initially as a nostalgia piece about photography in the 1920s, and some of the writing is prosaic, and some reflects the journalistic style of the early 20th century. As I got into it, I began to see the parallels that exist with photography as we know it today. Substitute a contemporary Nikon or Canon DSLR for the author's vintage Folding Kodak with an Ilex Anastigmat working at F/6.3, in an Ilex Acme shutter, and the similarities will illustrate how some things never change. For photographers of all levels, this Kindle freebie is a good read.
8/11/2012
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Tags : Making Your Camera Pay (Classic Reprint) [Frederick C. Davis] on Amazon.com. *FREE* shipping on qualifying offers. Excerpt from Making Your Camera Pay The demand of publishers for good pictures is increasing. Editors are eager to use the best photographs that may be obtained. They draw no distinction between the work of the amateur and that of the professional photographer. If a photograph meets their requirements,Frederick C. Davis,Making Your Camera Pay (Classic Reprint),Forgotten Books,1332153607,General,HistoryGeneral,Photography,Photography General
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Making Your Camera Pay Classic Reprint Frederick C Davis 9781332153602 Books Reviews
An esy read, but so out dated that it offers no support for todays photographer. Sadly, it was a waste of money and time. After a couple of chapters I just deleted it from my kindle. Much better books out there to read and current for todays photographer.
okay
As described
Seriously "... get on an air-ship..." I think this guy is some playwright that read up on some camera tech specs and all of a sudden is an expert...
It's true that we're well into in the digital age of photography, but sometimes we're forced to reflect that as advanced as we find all of the photo gear on the market may be, some things never seem to change. Making Your Camera Pay, by Frederick C. Davis, is a good example of this.
This book was published in 1922, and from the brief preface, author Davis was well known to readers of photo magazines of that time, according to A. H. Beardsley, the publisher of Photo-Era Magazine. He stated that "Mr. Davis has written this monograph in a non-technical style that will entertain the reader and encourage him to make the most of photography."
Within the first chapter, the author asked where the thousands of photographs used every month by newspapers and magazines came from, noting that professional photographers don't generate a third of the photos used, which would seem to be as accurate today as it was in the 1920s, if our social media sites are to be considered a parallel.
His second chapter delves into camera gear, "The Tools Of The Trade," and though some of the hardware has changed drastically with time, the concerns of the photographer remain the same. He noted that, "The requirements of the apparatus to be used for press-photography are that the lens produce a sharp and clear image, the shutter work accurately, and the whole be brought into play quickly."
The author went on to say what is still repeated today, in so many photo columns, and in so many ways, and restated by many
"A photographer comes to know his camera as a mother knows her baby--and if he doesn't he will be no more successful than the mother who does not understand her child. The camera-worker must forget all about manufacturers' claims and should judge his tool by experience; he must ignore most of the theory and rely wholly on practice. In short, he must know his camera inside and out, what it will do and what it will not do; everything must be at his finger-tips ready for instant use. Coupled with that is the need of the ability to produce, sometimes, within an hour after making the exposure, crisp, sharp, sparkling prints."
The chapters in this small book are quite topical, and again reflect some of the concerns and challenges faced by photographers of today, some ninety years after this was published
1. What It's All About
2. The Tools Of The Trade
3. What To Photograph
4. What Not To Photograph
5. Size, Shape And Form
6. Where To Sell
7. A Survey Of Markets
8. Shipping The Product To Market
9. The Prices Paid
10. Art Photographs
11. Competitions
12. Prints For Advertising
13. Copyrights And Other Rights
14. Illustrated Special Articles
15. The High Road
What makes this book fascinating is the amount of parallels that photographers face today. Granted that some of the magazines that accepted submissions, like Illustrated World or Collier's, to name a couple that he discusses as potential markets, no longer exist, but some that he mentions thrive today. And there may be not much of a market in contemporary media for such topics as `Potato-Gathering Made Easy', `Sketching on Fungus, One Artist's Hobby' or `Giant Vase, Lawn-Ornament, is Made of Concrete' unless they are for publication in The Onion. But topics like `How Aristocrats of Dogdom Travel' or `New Light for the Photographer' are as alive today as they were ninety years ago. And his chapter on copyrights could be used as a fairly accurate primer to photographers today.
For those who want a paperback copy of this book, it's available as Making Your Camera Pay, by Frederick C. Davis, and the publisher lists it as a 112-page reproduction of a book published before 1923. It's your choice.
I looked at this book initially as a nostalgia piece about photography in the 1920s, and some of the writing is prosaic, and some reflects the journalistic style of the early 20th century. As I got into it, I began to see the parallels that exist with photography as we know it today. Substitute a contemporary Nikon or Canon DSLR for the author's vintage Folding Kodak with an Ilex Anastigmat working at F/6.3, in an Ilex Acme shutter, and the similarities will illustrate how some things never change. For photographers of all levels, this freebie is a good read.
8/11/2012
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